Dear England by James Graham - ★★★★☆
It was in 1996 where Gareth Southgate experienced a defining moment in his career, missing a crucial penalty for England - an event that haunted him for most of his professional career. Fast forward to 2016, England are at the cusp of a significant change. The nation voted to leave the EU and amidst various challenges faced by the England Men's Team, Southgate (portrayed by Joseph Finnes) was invited to manage the team. Initially a temporary appointment, a successful run led to his permanent position.
Dear England follows the story of Southgate’s journey, his character, his leadership abilities and how he used his own story to shape and transform the English football team. Over the course of this three-act play we witness the power of community, communication and country.
Upon entry to the Prince Edward Theatre, we’re greeted by a simple stage set up; a vast oval with white light hovering above. Through the course of the play however, we are transported from St James Park, to Russia, Wembley, No 10 Downing Street and more. Credit to both Es Delvin and Jon Clark who ensured the audience were fully immersed in the experience that reflects the state of the nation.
The first act follows Southgates appointment, and the desire from the top for him to mend England's ongoing problem. His calming nature and critical thinking skills did not resonate widely initially. We witness Southgate’s vision upon his appointment and the various unexpected and inexplicable challenges that followed him. Leading a team that mirrors the nation in a time of heightened resistances was his very first challenge. Brexit, the pandemic, cost of living crisis, ongoing social justice issues and England's participation in major tournaments were all part of the broader context he had to consider.
Working closely with Pippa Grange (by Dervla Kirwan) Southgate tackled what seemed like an impossible job by taking a long-term approach and addressing the three part issues of heart,mind and skill. The curse of penalties wore off but the players still had work to do. We’re introduced to his starting 11 which includes the likes of Bukayo Saka, Marcus Rashford, Eric Dier, Harry Maguire, Harry Kane, Jadon Sancho, Jordan Pickford to name a few. The precision of both casting and custome were incredible, and with each introduction to a character, the theatre was filled with laughter based on the accuracy of the portrayals. Whether in collective moments or individual monologues and dialogues, the cast excelled greatly on the Prince Edward stage, enriching the audience’s experience. Notable performances include Josh Barrow as Jordan Pickford and Will Close as Harry Kane who embodied their character with precision and wit.
Written by James Graham and directed by Rupert Gold, this story is one that highlights the beauty of theatre and the power of storytelling. Even for those with little to no interest in football, the play presents the depth of the game on a platter. Revealing the gravity, meaning, influence and more in under three hours. Graham was able to break down the wall that separates footballers from their fans, showing that in fact, they are also just human. Upon the premise of Southgates letter, with effective direction from Gold, the gift that is football was excellently conveyed.
While some moments were a little direct and flat, and with much of the drama only happening in the second half, this play is still a must see for all. It dissects the culture of the sport, those who control it and finally, those who live for it.
Dear England is showing at the Prince Edward Theatre at the National Theatre till 13th January 2024.
